“Starlight” – Nailah King

kyoto nocturne ii_linbaoling

Lena loved to move.

Through space, through life and across lands.

The first thing she ever learned when travelling is that, as you land, the lights dotted along the skyline will take your breath away.

One summer she crept onto roofs in Barcelona waiting for nightfall. Against the purple sky, lights twinkled back at her, the warm air rushing over her, her wine-kissed lips chapped against the sea air.

In movement, she felt free. Each new place cast a spell on her—she walked differently. Sometimes a stride of confidence, sometimes one of fear.

Her mother often asked her: “When are you going to settle down? When will your heart be still?”

She couldn’t answer.

Her mind was often so cluttered. A voice would whisper darkness into her ear. When she couldn’t move, she woke up, either alone or with a lover, in despair.

Many nights she’d walk along the train tracks behind her childhood home, wondering if she’d be hit and if she’d be grateful. Or, sometimes, she wondered if she could run fast enough to hop onto the train and ride it to places unknown.

Bright lights were a beacon of hope; new experiences and people.

On sleepless nights, she curled up by the window waiting for sunlight. Her body marked by tiny incisions from the past, she thought about each scar—a map of the past. She wondered why there weren’t passports for sorrow. To mark the ebb and flow of sadness and joy, destruction and rebuilding, regression and growth.

Once, when she was in the hospital, she booked a flight on her phone.

The nurse screamed at Lena but it didn’t really matter. The nurse’s words sounded warped, gargled even, the onslaught of disappointment and disbelief drifted over her. All she could hear was the sound of the ocean. She closed her eyes.

She heard the blaring sound of the train horn and raced along the tracks, dawn rising behind her.

 

these words by Nailah King were inspired by the work of Lin Bao Ling

“Vancouver to Edmonton, 2017” – Erika Thorkelson

Chelsea Rushton_The Heart's Prayer

We’re driving back to the prairies for your niece’s wedding. Hottest day of the year and the truck’s AC is broken. The mountains are blue ghosts under a gauzy sky. On the radio, the news is bad. Riots in Venezuela, squabbling world leaders, white supremacists. Everyone wants more than they have, even if they already have everything. The air tastes like wildfires and cow manure.

My horoscope says to stay positive, but I don’t buy it. You say you have a headache and my brain sidles into worst-case scenarios—a stroke, a tumour, viral meningitis. To cheer you up, I sing show tunes, but I only know the chorus to “Good Morning” from Singin’ in the Rain.

I’m supposed to be navigating, but I never speak up in time and you never listen. I tell you to take the next exit, but you keep going straight. We have to cross a bridge and do a U-turn to get back on track. A couple hours later, after lukewarm sandwiches under anemic shade trees in Merritt, I ask you to pull over so I can get my bearings, but you’re already turning. Now we’re flying toward Peachland instead of Kamloops.

Peachland. Again!

I tell you to turn around the next chance we get, but the map says we’re locked on the wrong highway for at least 20 minutes. Voluptuous hills with sun-bleached grass rise and fall on either side, offering no shade. The air in the truck gets heavy. It’s pressing on my lungs, my jaw, my shoulders. We sweat in silence, waiting for the other to talk, waiting for the other to apologize.

My horoscope says to stay positive, but I’m with the stoics on this one. Our strength shows not in good times, but in bad. That’s when we learn our hearts are not petals in the wind.

Where we’re going, there will be a beautiful wedding for a young woman who’s already seen more than her fair share of grief. There will be a family who drinks a little too much but only argues over the rules for crokinole. Your dad will be doing okay since he came off chemo and got a better hearing aid. He will hear your voice for the first time in years. It will all be fine, but I don’t know that yet. I’d rather not take any chances.

I swallow and speak first, knowing it’s the best way past this. We’ve been on this road before, I realize; we’ll travel it again. We get better at it every time.

 

these words by Erika Thorkelson were inspired by the work of Chelsea Rushton