Kids. Millenials. Fuck the Millenials and their electronic orgasms. Things were better before, when you were judged by how well you could act on the phone, instead of on Facebook: It was more natural. Fuck the Millenials and their tattoos and selfies and their waiting on Instagrammed asses for Baby Boomers to retire, itching to snap out to work, like snakes in jars. I remember a time when people really interacted in public, and sat alone on trains reading newpapers, instead of reading on their phones. Fuck the Millenials and their mortgage free apartments, filled with cats instead of kids, producing kittens. I remember a time when a good wife raised children and cooked and cleaned and a man, if a good man, worked, didn’t gamble too much, and didn’t cheat too much. Fuck the Millenials and their questioning capitalism. I remember a time when we knew that the world was about to end, because of communism, because of evil Russians- just look at the villains in film. Fuck the Millenials and their questioning colonialism. I remember a time when the world was perfect, when countries were white or black, rich or poor, and you could draw a line in the fucking sand: Civilized on the Northside, Barbaric on the bottom. Fuck the Millenials who question us.
This piece of satire shared the art of Frau Isa and the fiction of L. L. As a piece of satire, it was intended to criticize the desire to romanticize the past, and to demonstrate how human beings become frustrated when they feel that they do not understand something. We believe that the generational divide is the classic example of this frustration and romanticization, where the old criticize the young for acting differently: Frustration is taken out against new trends that they do not understand, as they romanticize how things used to be, believing that the way they acted at that younger age had different motives. These older individuals, or, ‘haters,’ as say the Millenials, deserve credit because they are acting out of a place of frustration, as human beings do, and are not inventing the tendency to romanticize the past. We used satire as a tool to bring light to these extreme criticisms of the Millenial generation- typically those born after 1980. We believe that, by examining the roots of why we hate, it will help us to provide help and move forward, together, instead of picking fights against individuals. We need to give people more credit, regardless of age- Baby Boomers and Millenials included.