Motherhood, Work: “On Her Bike”

word by Cora-Lee Conway
colour by Michael Ward
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I watched the late afternoon sun cast shadows on the structures in my eye’s view. Dark, distorted silhouettes danced on the wall in front of me and I let myself be drawn into the hypnotizing sway and I closed my eyes. You know when you close your eyes and turn your face towards the sun, all the colors you see in the darkness? I closed my eyes for just a second.
  motherhood
I was so tired, physically and then some.  It was hard raising Maggie on my own, it was a constant struggle. Looking for free everywhere: food, clothes, programming… I worked so hard and it never seemed to be enough. I was determined that she would have everything she needed, I was just determined, period. She had just turned six and all she wanted was a bike.
  motherhood
After seven years of working in the increasingly defunct catalog department of Sears I saw children come in with their grandparents to order gifts of all sorts at all costs. Some of the kids were sweet, some were brats and some engaged in full body melt-down tactics of manipulation and subterfuge. So when my pudgy-fingered baby girl asked me for a pink bike for her birthday I was not inclined to refuse. I just didn’t know how I would make it happen.
  motherhood
I managed to get her into some religious charter school on a scholarship and that was no small feat, but then the uniform costs and the regulations about school lunches and books and extra-curricular activities all came fast and furious. I have a high-school education, but a PhD in working the system; I appealed on compassionate grounds for reprieve, looked for more funding and sometimes I just had to say no. Maggie never ever complained, she never made me feel bad; so when this issue of the bike came up I felt compelled, as a mother. I rarely succumbed to the pangs of consumerism but I was completely vulnerable here.
 motherhood
I worked a six am start shift in inventory and then nine to three on cash in order to pick Maggie up from school every day. One of the school’s resource teachers picked her up in the mornings and took her to school. It really takes a village. So after school, like every other day, I was inordinately tired. At the supposed to be tender age of 27 I had developed permanent bags under my eyes, and I hadn’t purchased a pair of shoes for myself in five years. Maggie wanted to ride her new bike after school. I picked her up from school and she had taken off her little short-sleeved button-up and a huge mustard stain graced her brand new tights. She was happy to see me and happier still to see the bike I picked up from home. I was late and all the other kids had long since gone. She peddled up and down, her gap toothed smile and loud giggle echoing in the street. I closed my eyes, heavy with exhaustion and lost myself for a just a second. 

Never been here before

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word by Jacob Goldberg

colour by Joe Hengst

The flight attendant looks at my carry-on like it’s got four heads. ‘It’ll fit,’ I tell her confidently as she lets me pass through jet bridge, windowless and quiet. A considerable gap between the walkway and cabin has me thinking that there should be a warning sign somewhere. So, I watch my step. The stewardess, black and shapely, smiles at me. I have to walk with my right shoulder toward the tail of the plane so I don’t hit those already settled with my bag.

            It fits in the overhead compartment above my seat, which I share with a woman of about 25. Her nail filing looks like she’s playing a small violin and we exchange smiles when I sit down. The stewardess over the intercom welcomes us to American Airlines and asks for our attention as we prepare for takeoff. I remove my headphones but mostly hear my neighbor and her nails. At the stewardess’ direction, I open the In Case of Emergency pamphlet located in the pouch in front of me. The pamphlet’s spine feels fresh. Inside, images accompany the text. One picture, detailing the protocol for a water landing, has people fastening their life jackets; their cheeks are loose, their eyebrows steady, and their mouths unopened. I quickly put the booklet back in the pouch.

            The plane stops at the takeoff hash. I look out the window and make eye contact with my neighbor.

            ‘Hi, I’m Calvin’ I say.

‘Stacey, sorry about the nail filing. It’s a bit of a nervous habit,’ she adds with an uncomfortable smile.

‘Don’t like flying?’

‘Rather be on the ground,’ she says as the engines crescendo.

‘I’ve never flown before, actually. Are you afraid of heights?’ I ask, immediately wishing I hadn’t.

‘Never?’ The plane jerks forward and she grabs the armrest between us. ‘I just don’t really like takeoff is all.  Why now?’

‘My brother lives out in Seattle and he’s getting married.’ Outside, I see LaGuardia flitting past us, and I wonder how long the runway is.

‘Oh, you’re getting married?’ She asks, her eyes closed, hands gripping both armrests, body frozen to the seat.

‘No, my brother is.’

When the back wheels come off the ground, I feel the plane’s tail swing underneath and Stacey says, ‘Oh.’

            Stacey is busy grabbing the back of the seat in front of her. We pass through some clouds, which from the ground I’d never imagine would be so dense and unwelcoming. The plane feels like a rickety train. Before this flight, I’d think of overcast, opaque skies in terms of an absence of sun. But on this side of the clouds you realize that it’s just the presence of clouds; the sun is always shining. The view from my window looks like what I was taught to believe Heaven looks like.

            And so the plane continues to climb, and the blue of the sky turns from baby to turquoise, climbing higher to navy, and now stars pepper the sky and I look at my watch and it’s only 3pm.

From the author: “I guess the question to ask is: How do you deal with people who are scared?  Do you let them fall deep into their phobias?  The artwork moves from mimetic to surreal, vertically, in the photo, and I thought it would be fitting if the plane that Calvin and Stacey were on flew right into space.”

See more colour by Joe Hengst 

Blowing Smoke

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word by Grant McLaughlin

colour by Michael Ward

Every time I see that sign, I can’t help but wonder what was the conversation behind that choice.

Could they honestly not come up with something better?  In all their brainstorming sessions, was that really the best in show?  No one involved thought for even a moment that maybe they should go with something more eye-catching?

‘Cause I’m not gonna lie.  I can rattle of all kinds of better ideas.  It feels like every time I’m there I come away having thought of yet another superior choice.

Is there honestly someone out there who grew up dreaming of the day they would be the proud proprietor of this: a tiny island of a shop amidst an ocean of parking lot swept up on the side of the latest superhighway.  A forgettable piece of detritus that they could finally call their own.

Wouldn’t want to ruin that with a memorable moniker.

The lack of creativity is extremely galling.  We already know that all we’ll find inside are shoddy sunglasses, miniature American flags, and a shit ton of cheapo cigarettes.  That Family Feud list of things that no one needs.

The least they could do is dress it up with a better sign out front.  A façade on the façade, if you will.

Are they describing the activity?  What you’ll be buying?  Just in case their patrons are so slack-jawed as to need the extra hint.

It could be a command.  An imperative order to any who find themselves wondering what they should be doing with their lives.

Or maybe it’s simply old school arrogance.  A belief that through their very existence they will be patronized.

“In my mind, it’s always been a concession.  They know the tides of history have come out against them, the studies are damning, the fix is in.”

It’s a white flag.  A desperate plea.

We don’t have a good reason to convince you, but we’re hoping you’ll do it anyways.

A discount name to match our discount product for you discount people and your discount dreams.

As rallying cries go, it isn’t terribly inspiring.

But I keep coming back, so I guess it doesn’t have to be.

 

 

cold souls

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This all started because he’d seen an old movie where some stoned chick with an 80’s crop cut said something about when you grow up, your heart dies. (You’d know the flick; kids in detention.) It was supposed to be funny, but it scared the shit out of him. Nothing funny about compromising your soul, he’d thought. That’s why they were out here in the cold, freezing their tits off. This was about never losing sight of your soul.

                The mask was a little tight against his face- it felt right. The fox had cost him $17.99 at the costume store, a small price to pay for immortality, and it was one with him now,  a new face. His true face. The book of voodoo had said they had to choose masks they thought reflected their character, their true selves. It said this was the most important part of the ritual. Before you could change something about the world and your place in it, you had to know, really know, who you were inside. In your soul. That’s why voodoo doesn’t work for grown-ups in the West: they’re all dead inside.

                His breath in the cold leaves little beads of condensation that run down the inside of the mask and out the bottom. He watches them and listens to the crackle of the fire underneath the languid, off-time clapping that seems to pervade most any pagan ritual. The children’s chanting is hushed now, but it’ll grow, feverish and in leaps and bounds, to a frenzied crescendo when the moon is brightest. He isn’t sure they’re speaking the right words, but he hopes whatever gods they’re praying to get the jist. Through the slitted eyes of the fox he tries to count the number of snowflakes the fire touches. He can’t. There’s too many, a million. If the magic works, the flakes will never melt. The inevitable thaw that follows the cold will never come, and they’ll endure, ageless, in the depths of winter.

word by Josh Elyea

colour by Loris Lora