mosquitos

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“I fell in love with you the first time I saw you fall off a horse.”

Her eyes are watery, glistening in their sockets. I can’t tell if it’s drool running over my lips and down my chin and neck or just some bruised emotional response to what’s happened, happening.

“You’re so stupid.”

She’s wiping at her eyelashes. If she keeps doing it I feel she’ll have no eyelashes left by this time next week. The window is open and all I can think is I know the mosquitoes are eating me alive and I can’t feel it. Most people unconsciously wish they could live a life in which mosquito bites don’t itch, can’t be felt. Others don’t mind the actual itching and scratching, finding themselves more inclined to fume at the violation of it all, the unseen bloodsucking and flying off into the night.

“I told you not to go.”

I think what happened was I drank a little too much, as is habit, and walked or stumbled out to the stables, snuck a horse out with what I can only imagine as indescribable grace and horsemanship, thereupon divining myself up onto it’s back, into the saddle… And there’s where all memory stops. And if I’m being honest, something I am not necessarily known for among both friends and enemies- everything I just remembered could be made up. I’d cry if I could feel anything physical. Not for me, but for this girl that knows the truth, the reality that I can’t remember. I can hear Sarah, and I think I can see her, but what I am listening to could be nothing more than unreality catching up with me. She sobs uncontrollably and I see her right arm, the good one, swing and slap my left arm. I can’t feel it and though my head wants to whip toward her in some accusatory fashion, nothing happens.

I fell in love with Sarah under a harvest moon. Sarah says it was blue and I made a mental note to check and see if harvest moons are ever blue. I never checked. I told her before we got serious that I can’t really have friends because I fall in love too quickly, platonic, heart-love, sexual fantasy, all of them separately but often attributed to the same person. And as a result I end up hurting everyone, like a man made of plutonium, some inevitable occurrence will disrupt my atmosphere and I’ll blow up and there won’t be anything left of us: and so I lie. I lie and never stop lying.

And now in an ironic twist of fate, here I am lying, on my back, catheter rooted and probably a dish of some kind caressing my naked buttocks, tubes jutted unfelt into my skin and veins, into my blood and the girl I may have actually changed for is crying and pulling out her eyelashes and I can’t even muster up the words, “It’s okay.”

word by Anthony Statham

colour by Sarah Burwash

how to escape a whale

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Becca’s leaving the city. She’s accepted this: after the fight, the crying, the insults neither really meant or believed, after all the ways in which they’ve hurt each other – it’s time. She’s leaving. It’s not just him. There is, after all, a whole city. She could avoid him if she wanted to. But it’s that, it’s the city: The city is the problem.

Lately, she suspects that the city is following her – the same placid towers, the same ageless fire hydrants, the same cheery, nondescript shops trailing her from block to block. Its serenity, its immutability, make her want to scream in her state of perilous irritation. She used to love the city.

She used to hum to herself as she walked through it. She used to smile at strangers on its streets.

Now, especially at night, it seems smug. Streetlights glow with calculated eeriness. Its inexplicable rustlings take on a self-important tone, as if to prove that industry and vigor will always exist in the city.

She had come here to feel that things were happening. Even when she herself was doing nothing, she could walk out onto the street and smoke a cigarette and watch the million odd goings-on passing her by and feel that the night was not wasted. Look, a man in a velour suit with an iguana on his wrist – pet or accessory? And over there, those two women, well-dressed, middle-aged, wearing a bit too much bronzer perhaps, that woman has just stuck her ice cream cone directly into the face of her friend.

She wanted to go to street markets, to art galleries, to neighbourhoods she’d never seen before, and partake in culture and romance and all of the borrowed nostalgia of other people’s lives.

She wanted to go out at midnight and get drunk on gin and tonics and revel in the sad, seen-it-all glamour.

It was her who had loved the city. Not him. They’d had an argument once: he’d told her that living in the city was like being a mite on the back of a great, eternal animal: You could drop right off and nothing would change. But you could also burrow your own tiny hole in the surface of the animal, and you would be free to do so. The city would continue in its forward momentum, unbothered by the specks living on its skin.

“That’s ludicrous,” she’d said. “We anthropomorphize cities, giving them entities, but they’re just made up of people. If we all disappeared, they wouldn’t keep going on their own.”

“How can you be so sure?”

“A city is not a tree with no one to hear it. Besides,” she’d added, “look at Detroit.”

Becca’s leaving the city. Every time she tries to picture being somewhere else, she can only see herself floating: Treading water, she watches its million winking points of light recede into the dark.

word by Charlotte Joyce Kidd 

colour by Carlo Stanga 

 

trying

23 july

When I was younger, my father was always telling me to try. Part of me wonders if I was born a quitter, for him having to say it as much as he did. And I regret that it was the last word he ever spoke to me, reaching through the helplessly jarred door, pleading me to find a way to the upper deck, to a lifeboat; not to give up. To get into the water and swim, survive, try. I let go of his hand when the sea was at his chin, and, my eyes bleary with tears, I climbed, up to the black sea, which was churning and roiling and flashing with blinding strobes of light. The lifeboat was tangled in rigging that had snapped and couldn’t be lowered. So people were leaping into the ocean. I had put on my swimsuit at the first alarm, so only had to remove an oversized shirt before grabbing the cold rails and hoisting myself over the side. The jolting shock of the water. The dark silence beneath the surface. Clawing through the swirling brine to punch above. Gasping at the air being sifted through the sheets of rain. And already, just seeing the black hills of water around me, as I climbed and descended the impossible swells simply by treading water, I wanted to give up. Yet I swore to him I wouldn’t. So I tried, to swim, crawling forward, taking in salty water twice, coughing, crying. I found the best I could do was to keep my head above, swimming on my back, from nowhere to nowhere. Just keeping afloat. My muscles red with panic. Windmilling my arms, kicking as if trying to shake off some wild animal clutching at my feet. Swimming for my life, for my father, who was still sinking to the bottom of his saltwater grave. Trying. For both of us. Trying.

 

word by Mark Lavorato

colour by Jeannie Phan

sitting on Marty’s lap

I used to care what people thought of me. Like, I’d wonder what the guy at the coffee shop thought about my hair. All through high school I worried about whether or not I was popular. Then I met Marty and he told me nobody gives a shit about anyone else. Seriously, he said, nobody gives a shit. I know that’s the kind of thing people say, but Marty actually meant it. He even put his hands on my face when he said it, not letting me look away, like he really needed me to listen.

Every morning we sit outside on his porch and share one coffee and one cigarette. The first time I went over to his place I brought him his own coffee, but he told me he’d rather just share mine. He only smokes because of the coffee. Those things would piss me off if he were anybody else. I used to hate girls who would sit on people’s laps. I once went on a rant for about an hour because this girl was sitting on her boyfriend’s lap even though there were about five empty chairs right there. But now I get it. I think I’d sit on Marty’s lap if he asked me to. Yes, I would definitely sit on Marty’s lap.

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***

It was the kind of day where everyone’s happy but nobody’s totally sure why. I think it has something to do with the weather, or maybe it’s just everyone being happy that makes everyone happy, like some kind of psychological butterfly effect.

We were sitting on Marty’s porch, but he had to go inside to get something he forgot. He was about to leave for work. Marty’s a lawyer. He says he got through law school by not caring about anybody or anything. He came back outside and just stood there. He checked his phone like he was in a hurry or something.

What if we got married? I asked.

We wouldn’t, he said.

Why not?

It’s not something we would do.

Sometimes I look at him out of the corner of my eye and I swear he’s different, like he’s only human when I’m looking him square in the face. I have dreams about him turning into an animal, becoming some terrific creature, but it always happens just out of view. The only reason I know for sure he’s changing is because it’s a dream, and you always know better in dreams.

***

I go into the coffee shop and I order one Americano. I sit outside the shop in one of those metal chairs that it’s impossible to get comfortable in. These kinds of places, the kind where they write your name on the coffee cup for you, never want you to stick around for long. It’s all a bunch of false comfort. I drink my coffee while I smoke my cigarette and I try to think about all the things I’m not going to miss.

 

words by Leah Mol

colour by EVLUK

breaking news in montreal

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BREAKING NEWS IN MONTREAL: Woman thrown off balcony is pronounced dead at the scene – in other news one million, six hundred thousand and ninety four people not thrown off an astounding amount of balconies

(young artists in denial that they don’t own the mansions depicted in Renaissance paintings grow up to paint mansions; where are apartment building entrances with those random titles on glass doors- The Benmore, The Stallion, L’étranger- in front of heavily stickered mailboxes with variations of, NO FLYERS, NON, and POR FAVOR, HOMBRE, beside faux-marble stairs; we don’t need any more accidental replicas of Atwater’s informally-gated streets; where is Parc X; where are the apartment buildings with balconies of lone chairs and plastic wrap around iron, with shirtless men in sunglasses, surveilling the garbage-bag-placing-process of his neighbours, every Tuesday; where are the buildings with nice lobbies and average apartments; where is cote-des-neiges; where are our bicycles and lines waiting for the bus; where are paintings that embrace the lack of space, not 4 humans to 2 acres but 50 in 2, no wasted space when you connect, right?)

BREAKING NEWS IN MONTREAL: Middle-Eastern man deported for terrorism charges, born in Canada we’re still undecided where to send him – in other news three hundred and twenty thousand middle-eastern-Québecois not charged, although suspected, said to all continue lives in Montréal

(at what point does the state say, alright, busted, we don’t know how to feel like we’re needed when we don’t have a group to protect you from, we just want to feel valued, if you have any suggestions we’re feeling kind of vulnerable, please send them our way, this shit is getting old, we love you)

BREAKING NEWS IN MONTREAL: Black male suspected in armed robbery is presumed guilty – in other news five hundred thousand, three-hundred and twenty four people of colour will continue to live lives in Montréal, despite also being presumed guilty

(Montréal, listen: We love you. We know you can’t really afford to buy us that last round, but don’t worry: My brother is visiting from Toronto. JK 😉 We know you’re the uncle who gave us our first beer, and we get how you’re keeping strong in your middle-age with the festivals, trying to keep the bars open till 6, etc., and, I agree, let’s not talk about the financial district, the disappearing suits thing – it’s cool… We know our neighbourhoods aren’t 100% everyone hanging out together, hamburger, falafel and miso soup picnics, sure, our ethnicities do not interact like they do in the cartoons of our high school textbooks, under “Multiculturalism in Canada,” (or, in the least, white anglos with white francos) but, uh, could we have a festival based on the merit of the musicians, and not Officially Sponsored segregation?) 

BREAKING NEWS IN MONTREAL: Alcohol may have been a factor in Tuesday’s fatal crash on the 40, not the congestion – in other news literally millions of cars who have passed that spot on road have been pretty okay since : There is a 0.000001 chance that you will die on the 40 today

(cue the commercial that generally says, hey, death is less fun but buy this car and you’ll have friends and you’ll all laugh to somewhere vaguely rural like past Laval and drink on a dock, even if it isn’t your dock, or look a rock, and uh yeah we paid someone to shoot here, but there are so many docks and so much space away from the city, you can escape all your neighbours!)

BREAKING NEWS IN MONTREAL: Concordia survey finds female students more likely to judge self-worth by appearance than male counterparts – in other news when you force a mold on liquid chocolate it will likely harden into that mold more times than not

(Montréal, honey, we love you, tell your police officers we know that they are good people, tell your protesters that everything will be alright, even if it won’t, let’s hold hands and change the way that we train our police, let’s change the way that our classes get treated by the system that values money, even if it’s tough to insert a heart on our coloured currency, because, baby, we just want to share a Boréale Rousse with you by the canal, come feed me curd while I read you French translations of Richler)

 

word by Liam Lachance

colour by Evluk

rocky mountain blues

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I wanted to live in the mountains.  I even got a John Muir tattoo to prove it: Scrawled right across my heart, complete with an open road and clip-art-skyline. It says the mountains are calling, and I must go. It felt less cliché when I was 22, in the city.

As I shovel snow off my front porch, staring out at the very real skyline of the Canadian Rockies, all I feel is cliché.

My Buddy Holly glasses are fogged as I venture inside – can’t see a damn thing without my glasses. I rub them clean. The fire, stacked high, burns bright in the corner. The familiar sound of roasting logs is as comforting to my neurosis as the heat is to my hands. I’ve always wondered why fire calms me down. Maybe it’s an imprint, I think, a long-lost instinct from our past that tells us a crackling fire will keep the dangers of the night at bay. I place another log on the fire.

Fumble sits by the fireside, staring out at me from between a toque and scarf. I named the dog Fumble as a joke, really: I played football growing up. The little bastard was more trouble than he was worth, but I couldn’t very well get rid of him now… my only company on this God-forsaken mountain. The woman who’d bought him had long since gone, vanished into the cold, cold night, the only kind of night I can remember now.

I’ve been on this mountain too long, I think, with six months left on a two year contract.

Six more months and I might start talking to myself, I say.

Whoever said Hell was hot was lying: Hell is a cold mountain with a pug for company. I pour a glass of scotch and look into the fire.

Then again, it’s my hell, I say.

And it’s not so bad, really. I’ve got whiskey, weed and White Stripes records. I’ve got Howlin’ Wolf on vinyl. I’ve even got some B.B. King to warm me up when I’ve got the Rocky Mountain blues.

Were things really any warmer down there, before, with everyone else?

word by Josh Elyea

colour by The Black Dynasty

bonsais and bad manners

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My ticket is one-way, CHICAGO-SEOUL. I’d always wanted to go to Chicago- Bill Murray is from Chicago, and Harrison Ford, too- Han fucking Solo and Indiana Jones. My layover is four hours- not long enough to leave the airport. I’m hungry. Can’t find a place that sells deep dish pizza. Can’t find a deep dish pizza in O’Hare. Maybe I’m not looking hard enough. Maybe it’s just 9:30 A.M. I try to meditate.

I must look ridiculous, sitting cross-legged in my Chucks and leather jacket, trying to ignore the hustle of the masses, molasses. Worrying about looking ridiculous defeats the purpose of meditation, I think. Can’t focus. Take out my laptop. Twenty minutes of free Wi-Fi: That’s all you’re given these days: Twenty minutes. A taste. Bastards might as well be pushing drugs. Take out a book. Kerouac’s Dharma Bums. I read it writing my thesis, not the same as reading it now. Get on the plane. Take off is bumpy in the tail. Cruising altitude.

The sun is so much brighter above the clouds. This is the closest I might ever be to it, I think. I watch the wing tilt up, towards an ethereal blue. People sneer at me and the angry sun streaming in my window. I feel like I’m watching myself from the cloud, or from the ground, like a bird. They’re trying to sleep. I don’t care: Nobody should sleep this close to the stars. Jimmy Page massages my eardrums with the Ramble On as I stare over the pillow-soft clouds. Zeppelin II- so underrated. I remove my headphones when I notice my neighbour talking to someone in front.

Now you see here, Chuck, alls I’m trying to say is equilibrium is possible, even if you have to fly 32,000 feet to find it.

This cowboy, looking like Woody Harrelson, steals me from the clouds. Maybe it is Woody- sounds like him. I’ve been awake too long, I think.

It’s about balance, he says. He is talking to the chair.

Are you talking to me?

Who else?

My name isn’t Chuck.

Look, there: Perfect sorta balance. He points out the window. Man wound tight as you oughta realize there’s a simplicity to this: Equilibrium. You’ve gotta learn to balance your fuck yous with your Feng Shuis, your Bonsais with your bad manners.

We’re flying to Korea, not Japan- wrong Asian country.

I’m saying that in a backwater Buddhist temple or here, up here, at 32,000 feet, you’ve gotta realize you won’t have peace until you reconcile your recklessness, you hear?

I wanted to reach out and touch his hand to make sure that he was real.

You’re pretty smart for a cowboy.

I’m not smart, don’t know a damn thing. He lowered his Stetson over his eyes. Just a man who has to fly 32,000 feet to find his equilibrium, ‘course.

Bonsais and bad manners… I looked back over the clouds. Made sense up here, down there?

word by Josh Elyea

colour by Jade Rivera

aliens in the delicatessen

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I’ve known for over a week now that Han is an alien, and it’s actually been a pretty normal week. Han and I work at Coles – me in Liquorland and her in the deli in one of those meat-stained aprons, her brown hair tucked inside an oily hair net.

It happened in the cool room. I was hiding from Drunk Dave who regularly sang in the middle of the wine racks and had to be escorted out, shaking and telling us he couldn’t leave without his wine. Han had been told to take a breather after she’d got shirty with a fat-necked middle-aged man asking for 17 slices of tasty cheese, cut ‘as thin as tracing paper.’ We sat down on the beer battered chip boxes to be sarcastic and chew on twiggy sticks for a while.

My mouth was hot and lined with salt and fat when Han told me that she was pissed off at everyone that day. I asked why. She said she hadn’t been sleeping well. ‘My brother, who’s also an alien, is being teased at school, big time. I’m so angry for him. At night I just lie there and think about punching their fucking faces in.’ She was looking straight at me, watching for my reaction. ‘I’m an alien, you know? And it seems like we still need protection. After all this time. My dad’s right.’ It didn’t really shock me – Han being an alien. I’d grown up being told about aliens by my parents, and had watched the landing on telly when I was five. I didn’t care, and I sure as hell didn’t want Han to think I didn’t like her anymore.

‘Yeah,’ I said. ‘I think you’re right. There are some dickheads out there who are scared of anyone different from them. Your brother’s lucky he’s got such a cool big sister.’

It’s Tuesday and I’m cleaning out behind the dumpsters, where our most regular customers head to zonk as soon as they’ve paid. It’s a shit of a job – we Rock Paper Scissors each week to work out who does it, and I did Scissors one too many times. Han’s called in sick and I’ve texted her but she hasn’t replied. As I’m coming in from the back I pass through the lunch room. The TV’s blaring. Steve from Shelving turns around, his eyes wide like paper plates. ‘Didya see the news? They’re taking the aliens back into detention. Say it’s for their own safety.’ He has a floppy sandwich in his hand and sauce on his upper lip. ‘Hey maybe that’s why Hannah’s away today! I always thought she was weird.’ He laughs and chokes and coughs up a bit of mushy bread.

‘Shut up Steve,’ I say. ‘You don’t know anything about it.’

I don’t know anything about it either. I scroll my phone for Han’s number and press down hard on the picture of a green telephone. She doesn’t answer but I’ll keep calling.

word by Laura Helen Mcphee-Browne

colour by Patswerk

police

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The police officer is circulating the metro station. Escalator teeth sink into tiles, reminding you of waves, disappearing in the floor. Your feeling is that, as the metal step dissolves, it is gone, like the wave. The police officer is sitting beside you. Plastic boxes for the fluorescent lights, above, hold dirt, and bugs, and you only notice it for the first time, now, bored enough to examine the details of the station. The police officer is sharing your view. For better or worse the dirt of these lights and the teeth of this escalator are part of the cities’ landscape, and we notice them as much as the country kid notices squirrels in branches. One step is one step – one wave is one wave… It’s more beneficial to have a thousand individuals walking around a metro station than a thousand people who know each other, who can empathize and learn from each other – individuals need to Find Their Selves in products or political movements, vote for us, we aren’t those old bastards, you’re a rebel if you buy this thing – you will end up with this white woman, and look at these jets bro! The police officer is asking you a question. You answer: Waiting. Another stair sinks into the tile. The impression is that the wave is separate from the ocean: It is never that the ocean is touching the beach- slapping it, really. Life is always one piece splitting away, independent. The police officer is asking you another question. When you entered the metro you paid for your individual ticket and placed it in the turnstile. The machine clicked after you pushed the metal bar so that the person behind you knew this stranger had passed through and it was their turn to enter. It’s easier to control a shape if you tell each electron they are the most important, you can be a nucleus someday if you work hard enough, don’t mind all those others – you have nothing in common. The police officer is circulating the metro station. The same piece of gum keeps on coming up on this same stair.      

 

word by Liam Lachance

colour by Agilmore

kids are out of touch

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Vinegar hints sweeten when wine ages: The value grows like investments in Congo’s coltan when the American iPhone hit e-shelves… That last sentence shouldn’t infer that the 2013 wishes it was the ’05, any more than the ’05 wants to be the ’13. No. It isn’t that the ’05 thinks the ’13 is necessarily dumber, or more ignorant, saying smug things like I was doing this when you were in diapers, kid. No. It isn’t that the ’13 doesn’t understand the world like the ’05 does, that it isn’t aware of why it likes what it likes because it doesn’t get the same (dated) pop-culture-references as the ’05, that it doesn’t think as critically as the ’05 because of a lack of years of winning or failing or just getting by, figuring out how to survive like an ’05. No, the ’13 does just fine, learns how to shake off pop-culture, soaked with information, wet and hungry for things that it hasn’t seen, new ways of breaking down things felt in high school or ideas cemented at parties, and, with all respect to the ’05- what a year– it might be drying up these revelations faster than the ’05 had, back in ’02. All these numbers… Please consider the following example: The ’13 just had one of those mind-blowingly-unreal revelations about ‘meaning’ and ‘purpose’ that the ’05, well, is going to have next year, a couple years late, but, uh, pull back the vines on this whole speech a bit, it’s really coming off thirteen-ish, isn’t it, let’s balance the thing with the fact that in no-way-not-a-fucking-chance-imaginable does the ’05 envy the ’13 and wish that it could switch bottles to be that age again, and work those part-time jobs again, and pass the first, second, third, fourth, fifth, sixth, seventh, eighth sessions of exams again, to push out the intangible borders of Independent Life from high-school dependencies to capital-A-Adult controls, look at me, I am somebody, recognize me, to build new friendships and relationships and to figure how to tie that intangible border into a rope, something dependable to scale a cliff, tying knots for a net- not a noose, as those providing dependency might fear- pulling up, toward something new. The point is that time has made the ’05 sweeter but it has not made it better. Time has made it not only too expensive but also too bitter for people who like a wine that slaps you in the face at dessert and stains your teeth. Colours on your teeth help you feel that bit more responsible while brushing before bed.

colour by Telmomiel
words by Liam