“White Dresses” – Ruth Daniell

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At the open house held the day after the wedding
you did not recognize the bride until you asked

and your mother pointed her out to you.
Surrounded by wrapped gifts and ribbons,

she was wearing an elegant pant suit appropriate
for a garden party, but you were unimpressed:

you remembered the white gown of the day before,
the tiny pearlescent beads sewn all over its bodice

and the flowing skirts, the way the music swelled
around the fabric as she danced with her groom

and it made you understand something big
and important was happening to the bride

and you thought it must have something to do with
the fact she was beautiful. If I had a dress that pretty,

you said with all the wisdom of your five years,
I would wear it every day. Your mother laughed

and the anecdote became famous in the family
as you grew up. Truth is, you still feel this way,

sometimes. Your own white dress is sheathed
in plastic at the back of your closet and you worry

you will never again be as beautiful as you were that one day
you wore it. You worry it is important to be beautiful,

that there are so few ways for you to be seen in this world
because you were a girl and now you are a woman.

these words by Ruth Daniell were inspired by the work of Nicolas V. Sanchez

“Cut From the Same Cloth” – Tristen Sutherland

Heart_Of_Darkness

Mrs. Anita Thomas loved her rocking chair. For hours, she would sit, rocking back and forth, humming to herself, blanket tucked neatly in her lap. Sometimes, I would watch her from across the street, as I toted my schoolbag home. She was a creature of habit. Always in the same spot. Staring at her blanket, like a statue.

On a day when I was feeling particularly brave, I crossed the street to get a closer look at Mrs. Anita Thomas. I peeked at her porch from behind one of her neighbour’s bushes, when she spotted me and called me over. Sheepishly, I approached, eyes downcast. Her face was hard and her brows were furrowed. I prepared myself for the reprimanding, keeping eyes on my scuffed shoes. Then, there was laughter? I looked up at Mrs. Anita Thomas, who was wiping a tear from her eye. Her face was soft, her smile seemed to disappear into a sea of welcoming wrinkles. I smiled weakly, not understanding the joke.

“I’m sorry,” she said, composing herself a little. “I couldn’t help myself. What’s your name, little girl?”

I told her and the next thing I knew, I was sitting alongside her nibbling an almond biscuit. It was strange to see her up close. She wasn’t a statue at all. As she spoke, she gesticulated, her chair rocking more severely when she was impassioned. I watched her as she spoke, transfixed by her whole demeanour. That was the day I became a part of Mrs. Anita Thomas’s routine.

Every day after school the scene would be the same: Me, sitting next to Mrs. Anita Thomas, her in her rocker and me on my chair, her weaving together a tale. Every story began the same way. I would take a bite of my biscuit, and Mrs. Anita Thomas would point a dark root-like finger towards the green and red blanket on her lap. Each day, her knobby finger would point to a new section of the blanket. Once settled, she would begin: “This is a story of our ancestors, and it begins with this piece of cloth…” Every time she said this, I would marvel at her use of our. It implied that we were one in the same, cut from the same cloth somehow. That was always my favourite part.

I remember asking my mum where we were from and her responding, without looking up from the newspaper, “Halifax, sweetie.” But that was not the answer I was searching for.

Mrs. Anita Thomas’s stories were always about our ancestors. She spoke of complicated plots involving star-crossed lovers, with mahogany skin and dueling families and traditions that I never heard of. When I pressed my mother further about our family’s origins, citing Mrs. Anita Thomas’s stories, she would assure me that those were just stories. As far as my mother knew, our family was from Halifax. We were Canadian through and through.

Despite my mum’s insistence on our Canadianness, I believed in Mrs. Anita Thomas’s blanket. I imagined our ancestors weaving together the cloth, infusing it with their stories. Knowing the stories of our ancestors made me feel strong. There was an our.

Mrs. Anita Thomas passed and left her blanket to me. I was 12 at the time, still clinging to my childhood, still clinging to her stories. I was shattered when I discovered the “Made in China” tag on the underside of the blanket. In that moment, I accepted my Canadianness like a bitter pill. There was no our.

When my daughter walks in, to see me in tears holding an old red-and-green blanket, I don’t know what to say. She stands in the doorway, peering at me, eyebrows implying an air of concern. After a moment, I spread the blanket on the floor and invite my young daughter to sit on my lap. I take a breath and point to a section of the blanket. I begin: “This is a story of our ancestors, and it begins with this piece of cloth…”

 

these words by Tristen Sutherland were inspired by the work of Nick Liefhebber

“Grandma’s Hands” – Josh Elyea

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As I sit on the bus, I look to the lady next to me. She has severe hands, crooked fingers with hard knuckles. My grandmother had hands like that. I used to stare at them, gnarled and hooked like talons, as she tried to teach me to play the piano. She used to laugh when I’d play only the black keys, and she’d sing softly, almost at a whisper, when we’d play her favorite hymns. She had a terrific voice, my Gram—one of the all-time greats. It was a voice of contradictions, hers—polite but gravelly, blue collar but lyrical—and she had a funny way of speaking, an off-kilter cadence to her voice that was somewhere between southern drawl and Irish poet. She hated her voice, but it made for the best stories and the best Sunday mornings.

My grandma’s hands used to drop the needle on her old Crosley, and somewhere in the fog of my memory I remain a child, wide-eyed and dumbfounded, awed that such a primitive system of bumps and ridges could summon forth the soul, the smoulder of Sam Cooke with apparent ease. The needle of the record player was hypnotising, intoxicating, but there seemed to be no immediate correlation between the movements of the needle and the sound of the soul music cascading through the room. I couldn’t understand, and when I asked my grandmother why this was, she told me that you couldn’t see soul, you just had to listen for it.

 

these words by Josh Elyea were inspired by the work of Shanna Strauss

On Silence and Domestic Abuse

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I was fifteen years old when she told me for the first time. I had asked her how she was doing. She looked squarely into my eyes, which look exactly like hers, and said words that she would go on to repeat many times: “I am waiting to die.” She said it in her usual way: tired yet hard and brazen. No tremble, no sadness. Defiant eyes. She didn’t say it to complain, or to illicit pity. (Though that’s what the others sometimes said about her.)

Most grandchildren don’t expect to hear that kind of language. Not me. I was fairly certain I knew why she said it. I knew about the angry welts on her body from his hands. I had been there once as a small child when he grabbed her by the hair and smashed her head toward the corner of the wooden cabinet. It was the last thing I saw before she pushed me out of the room and closed the door with her falling weight. I knew that she had been the sole breadwinner her whole life, working manual labour to put food on the table, to pay for her children’s school fees, to unwillingly fund his addictions to gambling and prostitutes, cigarettes and alcohol. (This later came to include funding his child support payments for those illegitimate children that we didn’t talk about but whose mouths were also fed by her hard work.) These, after all, had been the constant realities of my life as I flitted in and out of their home, not quite innocent enough to escape their burning silences but thankfully spared from the fits of rage and violence that I knew existed underneath. But I still had to ask her “Why?” to hear it from her own lips.

“Because my health is clearly worse than his, and at this rate, the only way I will find peace away from him is when I’m gone.” She was in her mid-seventies at this point.

“But if what you want is to be free of him, isn’t there anything we can do other than wait? Can’t you get a divorce? Can’t you move out and stop living with him?” I asked. Visions of my grandmother as I had never known her, happy and carefree, danced before me.

“There’s no point.” She seemed instantly to regret saying anything, shooing away my questions and telling me that I wouldn’t – couldn’t – understand. There was too much I didn’t know. In my teenage mind, I felt patronized. What was she keeping from me?  

I asked my mother. I asked my aunts. I got mixed responses. From “We’ve tried. We’ve offered multiple times to move her out, but she won’t leave. And he won’t leave either,” to the more frightening, “She’s past the point of moving on. There’s nothing you can do for her now.” I felt impotent. I thought about those defiant eyes; that hard stare that she gave him when she wordlessly served him his breakfast, lunch and supper which she cooked from scratch, no matter how bedridden the doctors told her she was. Diabetes, hypertension, a heart attack: nothing could stop her from keeping him fed. It seemed impossible to understand – if she wanted it to end, why didn’t she just walk away?

Ten years have passed since she first declared to me that she was waiting to die. Her body is older, closer to the relief she seeks and further from us who love her.  On a warm January morning this year, she told me yet again, “My bones are very tired. I am waiting to die.” And for once, finally, she was ready to say why.

“My father had wanted to choose a husband for me, as was common in those days, but I was headstrong and insisted on marrying your grandfather out of love. We had known each other since we were children; we grew up as neighbours. My father relented and we got married. The first couple years were okay. We had your aunt and your mother. But then, things started changing even before your uncle and aunt were born. You know already: gambling , alcohol, prostitutes. I had to start working, and then I had to work more and more. We were getting poorer and poorer…at some points we were barely eating, and we had to pull your aunt out of school. My father tried to loan us money but your grandfather always spent it all. Since I’m a woman, my father couldn’t trust me with money…he always gave the loans directly to your grandfather. But it was always gone before it ever reached me or the children, and I could never pay my father back, no matter how hard I worked.  I could barely put food on the table with my salary. He eventually had to cut us off because he realized that any cent he loaned us would be a cent wasted. He passed away before I could ever pay him back, before I could ever apologize for costing him so much and for having wronged him so greatly with my choice of husband.”

Before I could say a word, she continued.

“My mother was much more sympathetic. She moved in with us to care for your mother and her siblings so that I could work more hours. Sometimes, I would have to go away for days at a time. She always begged me not to go for too long.”

Tears were falling down her cheeks.

“One day, your great-grandmother got sick while I was gone. She must have been in her late 70s and she was such a tiny, frail person. Your aunt took her to the doctor’s, where they diagnosed her…”

The tears came stronger; her words almost a whisper.

“With an infection that came from untreated chlamydia. Your aunt had to translate the doctor’s questions as to how on earth a woman at that age could have contracted…”

She paused. The realization dawned on me.

“…a venereal disease. And that’s how I found out that he had been raping my own mother for nearly twenty years.”

She took a pause. We blew our noses, and wiped our tears.

“She said she never told me because he threatened her by saying that if she ever told, he would hurt me and the girls. Of course, by that point he already had… your aunt and uncle were forced onto me by assault. I didn’t want to have any more children after your mother was born. And my little girls… I could only protect them when I was home, but when I wasn’t around…Your mother was seven years old when she came crying to me when I got back from work. She said she had been bent over, feeding the chickens when he came over and…and…”

She couldn’t finish.

“He used to break broomstick handles over your mother’s head for her insolence. But she always fought back. Not like your great-grandmother. She was so tiny, so meek…I can never forgive myself for any of it.”

My ears felt like they were ringing, my chest felt heavy, my eyes were stinging. Three generations of women before me had been abused by the man who was sitting on the other side of the house…

Except that he wasn’t. He wasn’t on the other side of the house. Somehow, in all our sadness, we had missed the sound of his footsteps approaching. He was suddenly standing there, in the doorway looking silently at our puffy eyes and runny noses.

As our eyes met, he said, “Did you read the news about the EU?”  

I was incapable of saying a word. I wanted to get up and punch him in the face. I wanted to lash out and scream at him. I wanted to push him down the stairs, out of the house and away from all the people that I loved.

I looked at my grandmother. The defiant eyes were gone. She did not look scared of him: she looked scared of me. She gave an almost imperceptible shake of the head as if to say “Don’t.”  I thought I understood. He had already ruined everything that was sacred to her…her mother, her father, her children, herself. If I said anything, he would be on her as soon as I left. I kept my mouth shut. Once he had crossed to the living room, she whispered that I must promise to never never breathe a word to him about it. I promised, frightened of what he would do to her.   

I spent much of the next twenty four hours horrified. I tried to convince her that we needed to make a plan to get her away from him. She was infuriated by my many suggestions.

“You promised me you wouldn’t make a fuss!”

When it was clear that I wasn’t intending on giving up, she took me aside and looked me in the eye.

“I’m not afraid of your grandfather. He can do nothing worse than what he has already done. So stop trying to ruin everything. I was foolish to think that you would ever understand.”

I was so confused. I had thought that she didn’t want me to say anything precisely because she was afraid of the violence he might cause.

It has taken me a long time for me to understand why she hasn’t left. I see now that my grandmother has had very few choices in her life…but her choice to stay or leave is hers to make, not mine to make for her.  So much has already been taken from her. Who am I to take away her one last choice to solemnly await death? She has decided for herself that while on earth she cannot escape the madness and guilt of his doing. No physical distance from him can set her free from her anger towards herself. She seems to choose to be within hating distance of him so as to concentrate all her silent fury outward, instead of in. As much as she hates him, I feel she hates herself more for not having been able to stop him. She comes from a generation that doesn’t believe in counselling, so I have no way to help her shed her guilt. Instead, she waits for the end.

these words by Jo-Ann Zhou were inspired by the colour of Raphael Varona

these words by Jo-Ann Zhou were inspired by the colour of Raphael Varona

On Family: “No applause for a hero”

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“Teach your children well, their father’s hell did slowly go by,

And feed them on your dreams, the one they fix, the one you’ll know by.

Don’t you ever ask them why, if they told you, you would cry,

So just look at them and sigh and know they love you.”

“Teach Your Children,” by Crosby, Stills, Nash, & Young

 

‘What a fucking spread!’

‘Who woulda thought?’  Frances agreed.

‘Bagels, lox, whitefish, coffee, salami, bologna, provolone, macaroni—”

‘Chicken salad!’

Several parents crowded the cream cheese station at the back of the auditorium.  Henry admired his wife’s breasts as she crouched to pick up a tomato.  37.5% of the couples there were gay.  Mr. Hall, the middle school coordinator, wore a pesto green suit.  The hunchback look worked for him.  Everyone there paid $2.75 to ride the train to P.S. 463 if they didn’t hop the turnstile.  But by the looks of it, there were a few who might’ve jumped.

‘Hey!’  Caleb, 4’6”, rushed over and hugged his parents.  ‘Thanks for coming!’

‘Our pleasure!’

The chatter inconspicuously petered out when Mr. Hall tapped the microphone.  ‘Family, friends, distinguished guests: thank you for coming to P.S. 463’s annual Role Model Day!  In humanities this year, the students considered adolescence.  In lieu of their studies, they reflected on their role model’s unique qualities that they hope to emulate as rising middle schoolers.  Today, you will hear some of their thoughts.’

A little girl climbed on stage.  Mr. Hall adjusted the microphone stand appropriately. She looked down at her notecard: ‘Hi.’

After a pause, the audience realized it was being invited to exchange greetings.  ‘Hi!’

She continued, ‘My name is June Langley and my role model is Hermione.  Most of all, Hermione is a genius.  One day, I want to be a genius.  Hermione also helps Harry beat Voldemort again and again and again.  I want to defeat evil, too!’  June bowed, and the crowd cheered.  An ‘I love you sweetie!’ and, ‘You are a genius, babe!’ were made out from the clamor.  Surely it was June’s parents.

Another girl stepped on stage.  Her name was Anne Carney.  She had no index card.  Her role model was Serena Williams.  Serena, she informed the crowd, always wins and hates to lose.  Anne does, too, she tells the full house.  When she grows up she wants to be successful, like Serena!  The sound level meter for June’s speech reached a higher altitude.

Now Caleb hurried up the steps.  He took a piece of crumbled paper out of his pocket and unwrinkled it.  This had BOY written all over it.  Not once did he lift his eyes.  ‘My name is Caleb Monroe and my role models are my mom and dad.  Mom wakes up everyday at 5:00 and packs my lunch.  She fills the fridge with my favorite snacks.  Dad fought in court for my autistic brother Fred to go to a good school.  He drops me at basketball practice after school and always wants to play.  They are exhausted from work and then come home and cook.  If there is no food, they go shopping.  And tomorrow they’ll do it all again. They do not get paid for this job, and never ask for anyone to clap for their demanding work.  Being a parent is so heroic.  There’s no applause for a hero.’

The audience has no idea how to respond.

 

word by Jacob Goldberg

“After I learned that “La Practique Du Calcul” roughly translated to “basic calculus,” I wanted to write about how difficult calculus was for me but easy for others.  With that in mind, I hoped to sketch a story about something that I feel is at once important, simple, and uniquely hard: showing appreciation and love for those that really matter to us.”

colour by Julien Coquentin

On Family: “Bug”

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Bug

when Benny was 1 and I was 7, I took him down to the park near our place on the lane named after Shakespeare

he’d been at the pool with Mum all morning, tucked behind the blue walls on Alexandra Parade, and his tuft of soft hair was still wet

he nestled into my arm as we walked along the cooking bitumen, and when I crooked my arm to let him in, he cooed like a bird would, if a bird was Benny

at the park I climbed us up the ladder of the slide and put his bum on the cool grey top of it

he giggled as I backed down the rungs one by one and as I walked away from him and the slide and the sand and the dog poo, I felt my heart get bigger slowly like a blowing up balloon

my heart kept getting bigger and bigger as I walked down the street towards the milk bar, and as I was paying for my lemonade icy-pole it burst

Benny was wailing when I got back

I told him I’d just gone to get us an icy pole and he didn’t have to be sad

he was choking on his tears but then the tears slowed to hiccups and then the hiccups slowed to snot and I told him he’d crawled into my heart like a funny little bug, and it was just as well you can’t spray bug-spray near your heart

word by Laura McPhee-Browne

“This painting is beautiful, and reminded me of familial love. 

It reminded about how it for me was when my brother was a baby, and how older siblings often experience a cacophony of emotions when they are confronted with siblings, emotions that are strong and fierce and both negative and positive.” 

colour by Kojiro Ankan Takakuwa

shoplifting

EYEZ

“The first rule,” Joanna says, “is make sure nobody’s watching.” She tells me that because she wants me to be ready for anything. “It’s pretty obvious.” She rolls her eyes.

Make sure nobody’s watching. I say it three times in my head. I know what obvious means.

Joanna is five years older than me. We have the same mother but we live in different houses. She has a boyfriend named Peace. He’s waiting in front of The Bay because he can’t smoke inside. We’re walking around the mall looking for a store that looks easy for my first time. The mall is shaped like an L, and we’ve already passed every store. Joanna is chewing gum and blows little bubbles, over and over.

            “Can I have some?” I ask. “Gum?”

            “None left.”

Joanna stops in front of a store called Girl Thang. She tilts her head, staring into the store, and blows another bubble. “This is good,” she says.

As we walk through the entrance she whispers, “Just be normal.”

Just be normal, just be normal, just be normal.

I follow Joanna over to a table covered in T-shirts. Just be normal, just be normal, just be normal. I try to lean on the T-shirt table in a normal way.

Joanna glares at me. “Pick something to try on,” she says, in her fakest friendly voice. I look for things that don’t have a plastic tag on them, just like Joanna told me. I find two blue T-shirts that remind me of water and the sky and a sweater with a panda bear on it. I walk back over to Joanna but she motions for me to follow her and goes into a changeroom. Make sure nobody’s watching, make sure nobody’s watching, make sure nobody’s watching. I look around. The only person in the store is a girl at the cash register. She’s biting her nails from the sides.       

            “This is good,” Joanna says in the change-room. “It’s expensive.” She shoves the panda bear sweater into my backpack.

            “What now?” I ask.

            “We have to buy something,” she says. “You always buy something.” Joanna chooses a cheap T-shirt she didn’t even try on.

We walk up to the counter and the girl smiles at me. “You didn’t like that bear sweater? It’s adorable.”

Joanna smiles. “She has bad taste,” she says. She takes her wallet out of her coat pocket and there’s a stick of Juicy Fruit in foil stuck to the outside.

We don’t want the receipt.

Joanna slips the gum between her lips and I make the foil into a swan and when you pull the tail the wings flap.

At night, I sleep with the panda bear sweater. I fall asleep.

word by Leah Mol

colour by Vincent Viriot

Parents Against Parents

ccekios

Children were quite a test of who you were: They walked around repeating things you said, echoing things said in kitchens, like mobile parrots. You couldn’t blame a seven year old kid for having an opinion on Obamacare, or graffiti, or the government funding one branch of religious schools, because, well, they were seven. Born in ’07. You had to give a seven year old credit: They were seven. Seven. No seven year old actually thought I believe graffiti is immoral like tattoos, or I think to backing one religion while saying you’re mul-ti-culti-raw is so embarrassing! No. Or maybe they did. Maybe they were those seven year olds from Guinness, the Youngest University Student, Youngest and Most Bored Person In This Seminar, I Just Want Some Juice.

Parents were these labels used by adults for anything, really, like those scenes in Hollywood movies where the victim got away by saying I’m a parent- I have a daughter at home, and a dog who doesn’t listen to me unless I growl, or the capital P Parent, plastered on resumes, Member of the Parent Action Committee, Volunteer Organizer at Parents Against Obamacare, Director of Parents Against Parrots, Parents Against Alternative Medicine, Parents Against Medicine, Parents Against Parents, Parent Bar Meeting About Nothing.

I’ll have a pint of Guinness

Coors Light for me

I’ll follow the man with the gray hair and have a Guinness

Coming right up

I think you’re just jealous of my gray foxiness

That’s it

Miss Henderson seems to be quite the fan.

Whatever guys back to the issue: All I’m saying is that, sure, I appreciate that some people can be supported by the Government, but it’s been a hundred years: They’re not exactly some fading group

This coming from a man who drinks Coors Light.

Yeah, you forgot your skirt at home or what?

I’ll have you know that it is delicious and crispy. The point I was trying to make is that how can our government benefit with immigration and everything by saying oh, look at how tolerant we are, but we really prefer the Catholics.

You mean accepting.

You know what, I’ll agree with you, just for the sake of moving on.

You guys know what I’m saying

I think you’re forgetting the French thing: They kind of need it to keep their thing going, don’t you think?

The French: I think it’d save us a hell of a lot of tax payer dollars if we just let everyone do what they want

I guess that’s a good point, but why couldn’t they do it in a public system? How can you say we’re not going to think non-catholic means not-normal when there’s a fucking cross on the front lawn? Is that tolerance?

You mean acceptance. And I think that religion is part of culture, and so taking the Catholic away from French would be like, uh, taking you away from your water.

HA

Let’s say this whole culture idea is good, that trying to create this one idea of what a normal person is in our province is like a necessary thing in order to sell the province to companies, it still assumes that the other traditions are foreign, because they’re not Catholic, or from here, although they are now from here

Someone get me a pistol and a bag of chips

Today, in class, we’ll be talking about languages: Does anyone remember about languages? Yes, Kathy?

English is a language.

Yes, it is. Does anybody know the names of some different languages?

French

Thank you, Brian, but please put up your hand next time.

They’re stupid

ahahhahahaha

oh man

ha

you‘re stupid!

Brian: That was not a nice thing to say, please apologize to the class.

I’m so sorry

Nobody is stupid: We’re all the same, it doesn’t matter what language you speak. Does anybody know the names of any other languages?

the French are so stupid cause they took my mom’s job

whatever bry your dad drinks coolers light!

to be continued this Friday

colour by ccekios

words by L. L. 

read more info on the current school debate in Ontario